Showing posts with label US VOGUE. Show all posts
Showing posts with label US VOGUE. Show all posts
Tuesday, April 24, 2012
Monday, December 12, 2011
MERYL STREEP FOR AMERICAN VOGUE JANUARY 2012 PHOTOGRAPHED BY ANNIE LEIBOVITZ
MISS WINTOUR IS GOING TO GIVE US A SURPRISE NEXT YEAR BY BRINGING MERYL STREEP ON THE COVER OF US VOGUE MAGAZINE AND I AM SOOO NOT COMPLAINING AS THIS WOMAN EMBODIES, FOR ME, THE TRUE ESSENCE OF AN ARTIST.... I LOVE YOU MERYL STREEP !!
FASHION EDITOR: TONNE GOODMAN
FASHION PHOTOGRAPHER: ANNIE LEIBOVITZZ
Monday, November 7, 2011
FASHION's NIGHT OUT TOKYO ON NOVEMBER 5TH, 2011
I THOUGHT I MIGHT ADD SOME PICTURES OF TOKYO FASHION's NIGHT OUT 2011 WHICH WAS HELD A LITTLE LATER THAN OTHER PLACES OF THE WORLD.
SOME OF THE WORLD'S MOST RENOWNED EDITORS OF VOGUE MAGAZINE WERE IN ATTENDANCE!
AND HERE IS ONE PICTURE OF AN ATTENDANT AT FNO TOKYO:
A WINDOW DISPLAY AT LOUIS VUITTON, FNO TOKYO 2011:
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| From www.tokyofashion.com |
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| ANNA DELLO RUSSO, EDITOR IN CHIEF OF Vogue JAPAN. Pic from Dolce & Gabanna page on FACEBOOK |
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| FRANCA SOZZANI, EDITOR IN CHIEF OF Vogue ITALIA. Pic from Dolce & Gabanna page on FACEBOOK |
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| ALEXANDRA SHULMAN, EDITOR IN CHIEF OF Vogue UK. Pic from Dolce & Gabanna page on FACEBOOK |
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| THE ONE AND ONLY ANNA WINTOUR, EDITOR IN CHIEF OF Vogue US @DOLCE & GABANNA. Pic from Dolce & Gabanna page on FACEBOOK |
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| BEE SHAFFER AND HER MOM, ANNA WINTOUR |
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| Pic from TokyoFashion |
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| Pic from TokyoFashion |
Monday, October 24, 2011
ROONEY MARA FOR VOGUE US NOVEMBER 2011 PHOTOGRAPHED BY MERT & MARCUS
Notice the collaboration of Mert & Marcus with us VOGUE??? I love it....
Monday, September 19, 2011
“At Ease”: Jourdan Dunn for US Vogue September 2011 Editorial by David Sims
Tuesday, September 13, 2011
Michelle Williams plays the role of MARILYN MONROE for Vogue US October 2011 by Annie Leibovitz
On October 2009, Michelle Williams landed on the cover of US Vogue Magazine with a tom boyish look (link here) and this year, she has appeared again with a new look. She is impersonating Marilyn Monroe which is exactly what the US Vogue team is doing with her look. I love the fact that she has grown into somebody who deserves to be looked up to as a role model. With this cover, for me, she proves that she is a woman who is worth more than gold or diamonds! Williams will star in the upcoming movie My Week WIth Marilyn, which chronicles the 1957 filming of The Prince and The Showgirl. According to Vogue‘s cover story, the film had a pretty shaky production — the English actor Sir Lawrence Olivier
was using the film to become more famous in Hollywood, and Monroe
wanted to be taken more seriously. But the two clashed almost violently
on set, which should make for an entertaining behind the scenes sort of
movie.
Magazine: Vogue US
Issue: October 2011
Cover Star: Michelle Williams
Photographer: Annie Leibovitz
Website: www.vogue.com
On not being as guarded during interviews: “I feel like something has changed for me, but it’s a new change, so it’s going to be hard for me to describe. Maybe it has something to do with turning 30. I don’t feel as shy or nervous or self-conscious. I have more confidence that I can handle what life brings me. I don’t feel scared to have an idea and express it. I feel giddy about it because it’s a complete transformation. It’s like I’ve found my voice.”
On how daunting playing such an iconic figure was: “As soon as I finished the script [for My Week with Marilyn], I knew that I wanted to do it, and then I spent six months trying to talk myself out of it. But I always knew that I never really had a choice. I’ve started to believe that you get the piece of material that you were ready for.”
On gaining weight to approximate Marilyn’s curves: “Unfortunately, it went right to my face (puffs up cheeks to illustrate). So at some point it became a question of, Do I want my face to look like Marilyn Monroe’s or my hips?” (She opted for the former and filled out the latter with foam padding.)
Michelle’s new movie, My Week with Marilyn, opens November 4. It’s about a week of Marilyn’s life in 1956 while filming the movie The Prince and the Showgirl.
Source: (from justjared).
Magazine: Vogue US
Issue: October 2011
Cover Star: Michelle Williams
Photographer: Annie Leibovitz
Website: www.vogue.com
On not being as guarded during interviews: “I feel like something has changed for me, but it’s a new change, so it’s going to be hard for me to describe. Maybe it has something to do with turning 30. I don’t feel as shy or nervous or self-conscious. I have more confidence that I can handle what life brings me. I don’t feel scared to have an idea and express it. I feel giddy about it because it’s a complete transformation. It’s like I’ve found my voice.”
On how daunting playing such an iconic figure was: “As soon as I finished the script [for My Week with Marilyn], I knew that I wanted to do it, and then I spent six months trying to talk myself out of it. But I always knew that I never really had a choice. I’ve started to believe that you get the piece of material that you were ready for.”
On gaining weight to approximate Marilyn’s curves: “Unfortunately, it went right to my face (puffs up cheeks to illustrate). So at some point it became a question of, Do I want my face to look like Marilyn Monroe’s or my hips?” (She opted for the former and filled out the latter with foam padding.)
Michelle’s new movie, My Week with Marilyn, opens November 4. It’s about a week of Marilyn’s life in 1956 while filming the movie The Prince and the Showgirl.
Thursday, August 11, 2011
"Kate Moss: Kiss me, Kate"
"I saw her (Kate Moss) across a crowded room at a fashion party in Notting Hill, and
I was stopped dead in my tracks by her laughing beauty and
preternatural elegance." - Hamish Bowles. (VOGUE)
Vogue's Hamish Bowles' words have yet created an excitement in my heart once again as I read his article on Kate Moss's wedding details. I love how he constructed his words and lines.
“I wanted it to be kind of dreamy and 1920s, when everything is soft-focus,” says Kate. “The Great Gatsby. The code name was GG for a while. That light and that kind of fun decadence. It’s rock-’n’-roll Great Gatsby!”
The photographer, Mario Testino, has known her since she was a fragile sixteen-year-old, crying her eyes out backstage at John Galliano’s first Paris show. In that dim, distant past, when a model’s success was judged by the number of changes she had in a show, Kate had been given only one outfit and was feeling unloved. Mario comforted her. “You know, in life there’s perfume and there’s cologne,” he told her. “Cologne, you have to spray every fifteen minutes. Perfume, you put a drop and it lasts a week. You’re perfume.” - Hamish Bowles.
She wanted “a classic Galliano, those chiffon thirties kind. I’ve lived in his dresses for years, and they just make me feel so comfortable. But it’s so much more couture, couture, couture. Oh, my God, the work that’s going into the dress!” They discussed everything on the phone, and then, when John was out of rehab for the first of four marathon fittings, he brought her “bags full of bits, and pulled tulle and sequins and veils and flowers out. And then we just kind of pinned things together, like the old days, you know?”
“She was very professional and very demanding,” says Galliano, who was inspired by Jazz Age photographs of Zelda Fitzgerald. He had sent a friend to a beloved vintage fair (“because I couldn’t go”), who returned with “a beautiful rosary, which I thought must have been from a fallen angel.” For John it evoked his late partner-in-design Stephen Robinson. “So Stephen is watching,” he says, “nestled in the back of the bow.”
The dress is spangled with tiny golden paillettes (Jude Law will ask him how on earth they are sewn on); in Galliano’s narrative it is as though the scullery maid had picked up milady’s fallen sequins to spangle her own dress. The skirts are symbolically licked with the beaded plumes of a mythical phoenix, “delicate and defiant, like Kate.
“She dared me to be John Galliano again,” the designer tells me. “I couldn’t pick up a pencil. It’s been my creative rehab.” - HAMISH BOWLES
Pictures via http://www.vogue.com/magazine/article/kate-moss-kiss-me-kate/#/magazine-gallery/kate-moss-wedding/6
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| Rodarte paillette coat and beaded lace dress. On Hince: Lanvin velvet. Kiss Me, Kate - Vogue by Mario Testino, September 2011 |
“I wanted it to be kind of dreamy and 1920s, when everything is soft-focus,” says Kate. “The Great Gatsby. The code name was GG for a while. That light and that kind of fun decadence. It’s rock-’n’-roll Great Gatsby!”
The photographer, Mario Testino, has known her since she was a fragile sixteen-year-old, crying her eyes out backstage at John Galliano’s first Paris show. In that dim, distant past, when a model’s success was judged by the number of changes she had in a show, Kate had been given only one outfit and was feeling unloved. Mario comforted her. “You know, in life there’s perfume and there’s cologne,” he told her. “Cologne, you have to spray every fifteen minutes. Perfume, you put a drop and it lasts a week. You’re perfume.” - Hamish Bowles.
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| Kate Moss & her bridesmaids: Kiss Me, Kate - Vogue by Mario Testino, September 2011 |
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| Father of the bride Peter Moss with Kate and her daughter, Lila Grace. Kiss Me, Kate - Vogue by Mario Testino, September 2011 |
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| When Kate appears in her Galliano finery, with her flotilla of bridesmaids and flower girls in their Bonpoint dresses, there are wolf whistles and applause in the church. “It’s the most beautiful thing I’ve ever seen in my life,” says Bella Freud, “like she just walked through some fairy garden and came out clad in that. It’s exquisite.” (From "Kate Moss: Kiss me, Kate by Hamish Bowles for VOGUE") |
She wanted “a classic Galliano, those chiffon thirties kind. I’ve lived in his dresses for years, and they just make me feel so comfortable. But it’s so much more couture, couture, couture. Oh, my God, the work that’s going into the dress!” They discussed everything on the phone, and then, when John was out of rehab for the first of four marathon fittings, he brought her “bags full of bits, and pulled tulle and sequins and veils and flowers out. And then we just kind of pinned things together, like the old days, you know?”
“She was very professional and very demanding,” says Galliano, who was inspired by Jazz Age photographs of Zelda Fitzgerald. He had sent a friend to a beloved vintage fair (“because I couldn’t go”), who returned with “a beautiful rosary, which I thought must have been from a fallen angel.” For John it evoked his late partner-in-design Stephen Robinson. “So Stephen is watching,” he says, “nestled in the back of the bow.”
The dress is spangled with tiny golden paillettes (Jude Law will ask him how on earth they are sewn on); in Galliano’s narrative it is as though the scullery maid had picked up milady’s fallen sequins to spangle her own dress. The skirts are symbolically licked with the beaded plumes of a mythical phoenix, “delicate and defiant, like Kate.
“She dared me to be John Galliano again,” the designer tells me. “I couldn’t pick up a pencil. It’s been my creative rehab.” - HAMISH BOWLES
Pictures via http://www.vogue.com/magazine/article/kate-moss-kiss-me-kate/#/magazine-gallery/kate-moss-wedding/6
Kate Moss for US VOgue September 2011
VOGUE US has done it again!!! Putting Kate Moss on the cover for their September Issue, the supermodel gracefully wears a dress by Alexander Mcqueen. Mario Testino is worthy of much praises for shooting this beautiful cover.
Wednesday, August 10, 2011
Vintage Grace Coddington's Shots are to be on Display next month at London's Ivy Club.
Grace Coddington, Creative Director US Vogue Magazine, and her "Memoir" had created News for a while and while this is going on, her Vintage Pictures will be on display in London's Ivy Club from September 2011. This art show is to be dedicated to Coddington's ex-husband, Willie Christie's photography. The show will feature intimate shots from the couple’s four year marriage, along with photos taken for Vogue.
Christie shot pics of a 30-year-old Coddington at the start of their marriage, and nearly 40 years later, he has nothing but good things to say about his ex-wife.
“For me, she was still photographic heaven. She was so brilliant as a model because she had an appreciation and understanding of art in all its forms; mimicry, gentleness, and serenity. She understood everything that the clothes were trying to do. She became the image. She had then and still has, an absolute passion for all that she does. Photographically — and personally — Grace was everything I was looking for. And she was willing. Lucky me!”
Christie shot pics of a 30-year-old Coddington at the start of their marriage, and nearly 40 years later, he has nothing but good things to say about his ex-wife.
“For me, she was still photographic heaven. She was so brilliant as a model because she had an appreciation and understanding of art in all its forms; mimicry, gentleness, and serenity. She understood everything that the clothes were trying to do. She became the image. She had then and still has, an absolute passion for all that she does. Photographically — and personally — Grace was everything I was looking for. And she was willing. Lucky me!”
Thursday, July 28, 2011
Monday, July 18, 2011
Sarah Jessica Parker Poses on the cover of Vogue US August 2011, by Mario Testino.
The Age Issue of US Vogue has got on its cover, a stunning Sarah Jessica Parker in Burberry (from Burberry Prorsum Fall 2011 Collection.) The wardrobe includes big BIG names from the Fashion Industry: Chanel Resort, Proenza Schouler, Marc Jacobs, and Oscar De La Renta.
Photographed through the lens of Mario Testino. the family spread features SJP with hubby Matthew Broderick and children James Wilkie and twins Marion and Tabitha.
“I love the opportunity to wear something really special and go to a
wonderful event at some great cultural institution. Not to sound too
Pollyanna about it, but I really didn’t imagine when I was a little
girl that I would be there to see it all myself.” - SJP.
She is looking elegant in a photo with her two-year-old twin daughters, Marion and Tabitha, from the picture below:
Sarah talks about her 'Sex and the City' character, where her priorities lie, and what her life would be like if she didn’t have kids:
“Bradshaw’s life is nothing – nothing – like mine. I loved playing her, and it changed my life in lots of wonderful ways, but I’m not a crazy shoe lady, I don’t think about fashion all day long, although I have a great respect for the industry. Every choice we’ve made has been different, but with Kate I really understood the attempt at a life.”
“We don’t have any live-in help. We’re pretty hands-on parents.
That’s something that’s important to both of us, and we don’t shirk it,
because what’s the point in having a family if you’re not going to
really participate in it, you know?” - SJP.
Photographed through the lens of Mario Testino. the family spread features SJP with hubby Matthew Broderick and children James Wilkie and twins Marion and Tabitha.
She is looking elegant in a photo with her two-year-old twin daughters, Marion and Tabitha, from the picture below:
Sarah talks about her 'Sex and the City' character, where her priorities lie, and what her life would be like if she didn’t have kids:
“Bradshaw’s life is nothing – nothing – like mine. I loved playing her, and it changed my life in lots of wonderful ways, but I’m not a crazy shoe lady, I don’t think about fashion all day long, although I have a great respect for the industry. Every choice we’ve made has been different, but with Kate I really understood the attempt at a life.”
Monday, June 13, 2011
VOGUE US July 2011 Cover: Emma Watson!!!
Photographer: Mario Testino
Model: Emma Watson.
Tuesday, June 7, 2011
VOGUE INDIA cover for june 2011: same as US VOGUE Cover for April 2011!!!
Photographer: Annie Leibovitz
Stylist: Tonne Goodman
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